In the 1930s, the hand of the Argentine painter Benjamín Solari Parravicini began, as he told it, to move on its own. It produced strange drawings with short, cryptic captions, many of them read today as prophecies. With these psychographies came a voice. Parravicini said that the presence guiding his pencil identified itself as Fray José de Aragón, a Franciscan friar of an earlier century. Whether such a friar ever lived is uncertain, and no clear historical record of him has been found. But a more interesting question can be asked: what does the choice of this particular guide reveal about Parravicini, his faith and the spiritual world of Buenos Aires in his time? A Painter From the Elite Parravicini, born in 1898 and dead in 1974, came from a well-known family of the Buenos Aires upper class. He trained as an artist and worked as a painter and sculptor. He was also, by his own account, a devout Catholic. This combination matters. A man rooted in traditional Catholic faith and ...

[No disponible: ❌ https://upload.wikimedia.org/wikipedia/commons/e/ea/Blake_jacobsladder.jpg ❌] A lo largo de las eras, la humanidad ha intuido que el mundo tangible de la materia no agota la totalidad de lo real. Detrás del velo de los cinco sentidos ordinarios se extiende una vasta jerarquía de dimensiones invisibles, pobladas por memorias eternas y conciencias tutelares que acompañan la evolución del alma. En la tradición oculta de Occidente y Oriente, este universo sutil se estructura en dos grandes esferas de aprendizaje: el Plano Astral —la región plástica y cambiante de las emociones, las formas de pensamiento y las pruebas de discernimiento—y los Registros Akáshicos —la memoria viviente e incorruptible del cosmos donde cada pensamiento, palabra y experiencia queda grabado en el éter primordial. Comprender la ciencia de la canalización espiritual no es abrirse a ciegas a cualquier influencia invisible, sino aprender el arte teúrgico del discernimiento de los espíritus para ...